Beginning with 1979’s acrimonious Broken English, Marianne Faithfull has spent the last four decades gracefully transitioning into the Grande Dame of Melancholy, the High Priestess of Dusky Rock, capable of bridging the chasm between Kurt Weill’s dramatic ballads and the gothy rock of artists like Nick Cave and PJ Harvey. …
Read More »Review: Marianne Faithfull Delivers Another Late-Career Masterwork on 'Negative Capability'
